Daydreaming

Or, the well of the subconscious.

My experience of writing the Factory Girl trilogy was different to that of my other novels, with the exception of Memory Seed and Hairy London. In the case of The Girl With Two Souls in particular, the book seemed fully formed before I began writing, emerging at 5,000 words per day as if all I had to do was take dictation from my unconscious mind.

I thin…